{"id":2555,"date":"2005-02-19T00:00:00","date_gmt":"2005-02-19T05:00:00","guid":{"rendered":"http:\/\/www.greatsociety.org\/?p=2555"},"modified":"2018-10-31T21:06:17","modified_gmt":"2018-11-01T01:06:17","slug":"cult-culture-the-ultimate-in-alien-terror","status":"publish","type":"post","link":"https:\/\/greatsociety.org\/?p=2555","title":{"rendered":"Cult Culture:  The Ultimate in Alien Terror"},"content":{"rendered":"<p><!--more--><\/p>\n<p>Ranking high on the list of popular cult culture is <em>The Thing<\/em>, almost always in its Carpenter incarnation.\u00a0 I think we&#8217;ve finally reached the point in our movie culture where 1951&#8217;s <em>The Thing From Another World<\/em><br \/>\nhas faded into Cold War antiquity.\u00a0 The stumbling carrot beast<br \/>\nwith the sound ability to punch through paper-thin Styrofoam walls,<br \/>\nagainst which only American individualism and know-how can compete, was<br \/>\nan undisguised propaganda film.\u00a0 It&#8217;s Red Menace filmmaking at<br \/>\nit&#8217;s worst, made laughable by the hysterical final lines shouted into<br \/>\nthe shortwave set to You and Me, Mr. and Mrs. America:\u00a0 &#8220;Watch the<br \/>\nskies, everywhere! Keep looking. Keep watching the skies!&#8221;<\/p>\n<p>The insidious threat of communism is as alien to the 21st Century as<br \/>\nMeco&#8217;s &#8220;Empire Strikes Back Medley.&#8221;\u00a0 And thank god, too.<br \/>\nHell, by the time Carpenter got around to the remake in 1982, the real<br \/>\nthreat of communism had already started to fade.\u00a0 Reagan&#8217;s &#8220;Evil<br \/>\nEmpire&#8221; and the mythical arms &#8220;race&#8221; of the 80&#8217;s was getting the same<br \/>\nhalf-serious dismissal as a second Bush Administration.\u00a0 Despite<br \/>\nthe popular media urgings in films like <em>The Day After<\/em> and <em>Threads<\/em>, workaday America had stopped watching the skies.<\/p>\n<p>The new <em>Thing<\/em> tackled much larger social issues &#8211; the thin<br \/>\nfabric of trust within our own community and, of course, the onset of<br \/>\nAIDS.\u00a0 The creature acts like a virus and, ultimately, we&#8217;re all<br \/>\ndoomed to catch it.\u00a0 The remake ends with doubt and hopelessness<br \/>\ninstead of the original&#8217;s preaching that we&#8217;ll all be okay if we stick<br \/>\ntogether and remain vigilant.\u00a0 What gives Carpenter&#8217;s version a<br \/>\ntrue and lasting edge is that our team of Everymen <em>can&#8217;t<\/em> stick together.\u00a0 It&#8217;s no longer in their nature.\u00a0 The revamp <em>Thing<\/em><br \/>\nis one of those movies that, 23 years later, doesn&#8217;t get tired.<br \/>\nEven in light of the occasionally ridiculous early 80&#8217;s plasticized<br \/>\ngore-fest effects and the laundry list of Hollywood inaccuracies and<br \/>\nimpossibilities.<\/p>\n<p>In a way, it&#8217;s daring that Carpenter takes on a very real social issue<br \/>\n&#8211; groups of people locked in a space together just not getting<br \/>\nalong.\u00a0 There are no heroes, no friends.\u00a0 Just mass psychosis<br \/>\nwithin the mostly blue-collar skeleton crew manning an Antarctic base<br \/>\nduring the long winter months.\u00a0 At the lead is Kurt Russell, a<br \/>\ntypical Carpenter anti-hero who&#8217;s more sociopath than anything<br \/>\nelse.\u00a0 In the original script, he was a half-mad, disgruntled<br \/>\nVietnam vet who had fled the real world in favor of a desolate<br \/>\nAntarctic research station.\u00a0 That deeper analysis of his character<br \/>\nwas dropped, but the mood is still there throughout.<\/p>\n<p>The Carpenter version adds to the hopelessness of a decaying society by<br \/>\nremoving the blood from our crew&#8217;s hands.\u00a0 In the original, we<br \/>\nwoke up the creature after salvaging a UFO.\u00a0 (The threat of<br \/>\ncommunism was our own creation?)\u00a0 In the remake, it&#8217;s the<br \/>\nNorwegians who have brought the creature back to life.\u00a0 Our boys<br \/>\nare simply innocent bystanders.\u00a0 (The elements that tear apart the<br \/>\ndelicate threads of our society come from the hubris of weaker<br \/>\nnations?)\u00a0 We begin with the most ludicrous chase scene in movie<br \/>\nhistory: A husky outrunning a Norwegian helicopter across a couple<br \/>\nhundred miles of wasteland.\u00a0 The Norwegians are trying to kill the<br \/>\ndog with a high powered, classy-looking rifle and, round after round,<br \/>\nthey can&#8217;t seem to get a clear shot.\u00a0 Always well behind the dog<br \/>\n(which means it&#8217;s running at about a hundred miles an hour, right?),<br \/>\nall hope is lost when the Norwegians spot the American base.\u00a0 The<br \/>\ndog gets to safety and the Norwegians land, fumble a few grenades, and<br \/>\nget blown up, all while rifle boy stalks into camp and manages to hit<br \/>\none of our team&#8230;but, still, misses the dog.\u00a0 If you&#8217;re playing a<br \/>\ndrinking game, then you&#8217;re down for the count in the first five minutes.<\/p>\n<p>So the story begins.\u00a0 A creepy build up for about half an hour &#8211;<br \/>\nvisiting the blasted-out remains of the Norwegian camp and setting up<br \/>\nsome spooky stalking dog scenes.\u00a0 Then, the games begin.\u00a0 In<br \/>\nclassic Ye Olde Alien Movie style, the rest of the film is buckets of<br \/>\nblood, everything falling apart, slime, fire, wild gunshots, unlimited<br \/>\nammunition, flamethrowers and everyone getting picked off one by one<br \/>\nwhile the final solution becomes clear:\u00a0 Blow everything up.<\/p>\n<p>It&#8217;s the weaving of the story that sets it ahead.\u00a0 That&#8217;s<br \/>\nsomething Carpenter was pretty good at until the late 80&#8217;s.\u00a0 The<br \/>\nstrong cast helps, as well.\u00a0 Russell, in those early days, could<br \/>\nhold his own, but throw in Wilfred Brimley as the mad doctor, Keith<br \/>\nDavid as the tough black guy (<em>Chronicles of Riddick, Requiem for a Dream, They Live, Platoon<\/em>), and a few other strong faces you&#8217;ll recognize, and you&#8217;ve got real movement going on.<\/p>\n<p>Where the screenplay takes us is perfect.\u00a0 Trust no one.\u00a0 We<br \/>\nhave a brief moment of light when a solution for identifying the<br \/>\nchameleonic creatures is discovered, but angry killer aliens looking to<br \/>\nwipe out humanity is just the surface issue.\u00a0 Back to the decaying<br \/>\nthreads of society theme.\u00a0 Even with a solution, our crew isn&#8217;t<br \/>\nable to pull themselves together.\u00a0 There&#8217;s no sense of leadership<br \/>\nand an overwhelming inability to function as a team.\u00a0 Paranoia and<br \/>\nanger runs deep, not only mimicking the modern American society, a soft<br \/>\nunderbelly exposed, but also the very real psychological evaluations of<br \/>\ngroups working together in isolated environments, something that has<br \/>\ncome under intense study within the last 15 years.\u00a0 Case workers<br \/>\nanalyzing how men and women work together at Antarctic posts, space<br \/>\nstations, within biosphere projects and looking towards potential<br \/>\nmissions to Mars have created a niche in the head shrinking sciences<br \/>\nand, I believe, say some powerful things about where we all stand with<br \/>\neach other &#8211; running scared, splintered and brain dead in 21st Century<br \/>\nAmerica.\u00a0 If anything, <em>The Thing<\/em> becomes more powerful<br \/>\nwith age.\u00a0 Looking beyond rubber masks and karo syrup, it&#8217;s a<br \/>\nfortunate thing that Kurt Russell&#8217;s anti-social tendencies aren&#8217;t<br \/>\nexplained by bad experiences in a dated war, and that his compatriots<br \/>\nare all sort of timeless Everymen trying to move independently in their<br \/>\nvery closed, very frightened worlds.\u00a0 The secret to the film&#8217;s<br \/>\nsuccess is that feeling of total detachment and personal isolation,<br \/>\nseemingly in conscious defiance of rational behavior.<\/p>\n<p>Now, why should you grab this film and get reacquainted with it, or<br \/>\nwatch it for the first time?\u00a0 Because this is the year of the<br \/>\nremake.\u00a0 The Sci-Fi Channel is putting a four hour mini-series<br \/>\n(with hopes of a regular series) into production.\u00a0 The mini-series<br \/>\nwill pick up where the famous final scene of the movie left off.<br \/>\nLaunching a series from one of most thought-provoking (and playful)<br \/>\nfinales in A-list sci-fi cinema history takes a dark mind and an empty<br \/>\nheart.\u00a0 Get this movie into you before it&#8217;s ruined forever.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50,352],"tags":[403,353,104],"class_list":["post-2555","post","type-post","status-publish","format-standard","hentry","category-cult-culture","category-gsarchive","tag-cult-culture","tag-gs-archive-2004-2008","tag-sci-fi"],"_links":{"self":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2555"}],"version-history":[{"count":2,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2555\/revisions"}],"predecessor-version":[{"id":2825,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2555\/revisions\/2825"}],"wp:attachment":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}