{"id":2480,"date":"2005-02-23T00:00:00","date_gmt":"2005-02-23T05:00:00","guid":{"rendered":"http:\/\/www.greatsociety.org\/?p=2480"},"modified":"2018-10-31T21:05:48","modified_gmt":"2018-11-01T01:05:48","slug":"hunter-s-thompson-1937-2005","status":"publish","type":"post","link":"https:\/\/greatsociety.org\/?p=2480","title":{"rendered":"Hunter S. Thompson, 1937-2005"},"content":{"rendered":"<p><!--more--><\/p>\n<p><em>Take me on a trip upon your magic swirlin&#8217; ship,<br \/>\nMy senses have been stripped,<br \/>\nMy hands can&#8217;t feel to grip,<br \/>\nMy toes too numb to step,<br \/>\nWait only for my boot heels<br \/>\nTo be wanderin&#8217;.<br \/>\nI&#8217;m ready to go anywhere,<br \/>\nI&#8217;m ready\u00a0 to fade<br \/>\nInto my own parade,<br \/>\nCast your dancing spell my way,<br \/>\nI promise to go under it<\/em>.<\/p>\n<p>-&#8220;Mr. Tambourine Man&#8221;, identified by Hunter as the only song he has requested to be played at his funeral<\/p>\n<p>I was somewhere outside of Raleigh when the news began to take hold.<\/p>\n<p>Not only dead, but suicide.\u00a0 Gunshot to the head.\u00a0 I tried to<br \/>\ndecipher it.\u00a0 At first I began to think maybe it was just one of<br \/>\nthose miserable nights that all people who are fluent in the language<\/p>\n<p>of mind-altering chemicals have.\u00a0 Unable to focus, bobbing in the<br \/>\nvast sea of Inner Thought, sometimes dipping below the surface,<br \/>\nsometimes rising back into coherency and Now.\u00a0 Past and present<br \/>\nslow dancing with each other in a lonely room.\u00a0 Drunk and baffled<br \/>\nor perhaps high and unmighty, solo-sitting in the kitchen and an idea,<br \/>\nperhaps planted long ago, begins to sprout then flower.<\/p>\n<p>I couldn&#8217;t get angry about it.\u00a0 I didn&#8217;t feel misled, misused, or<br \/>\neven abandoned.\u00a0 I didn&#8217;t even feel that upset about the<br \/>\nblabbering word jockeys that were chatting up the Good Doctor with<br \/>\ndeadlines in their minds instead of true love in their hearts.\u00a0 It<br \/>\nwas another great study in cultural icon obituaries, where the words<br \/>\nmust be timely and the deceased himself must be reduced to a handful of<br \/>\nsentences about his life with no true understanding.\u00a0 And so, the<br \/>\nworld that never read much of Hunter or knew of him only as a relic got<br \/>\nall they needed to know: drug abuser, volatile writer, disdainer of<br \/>\nstandard journalism.\u00a0 Las Vegas, Woody Creek, <em>Rolling Stone<\/em>.<br \/>\nThese things are slightly necessary, especially on a sub par holiday<br \/>\nwhen everyone is waking up late and searching for Pop-tarts and<br \/>\nsomething to occupy their time.<\/p>\n<p>But there was more, as always&#8230;<\/p>\n<p>In the early days of my exposure to Hunter, I was madly infatuated.\u00a0 I read <em>Fear and Loathing in Las Vegas<\/em>, then the <em>Rum Diary<\/em>,<br \/>\nthen all four volumes of the Gonzo papers.\u00a0 At that point in time,<br \/>\nhe was my consummate hero.\u00a0 I never doubted what he said, never<br \/>\nthought to give it a second thought as to whether anyone could actually<br \/>\nlive their life this way for any extended point in time without any<br \/>\ndamage.\u00a0 I was in college, working for the school&#8217;s programming<br \/>\nboard, when I came across (somehow) Hunter&#8217;s literary agent&#8217;s phone<br \/>\nnumber.\u00a0 I called immediately and she gave me some warning.<\/p>\n<p>&#8220;What you have to know is that you never know what you&#8217;re going to get<br \/>\nwith Hunter.\u00a0 He&#8217;ll either be brilliant or so wasted that he&#8217;ll<br \/>\npiss everyone off, even his fans, and walk off early, demanding to be<br \/>\ntaken home.\u00a0 He hates crowds.&#8221;<\/p>\n<p>I had her put in a word to him anyway.\u00a0 I assumed that visiting a<br \/>\nhistorical place like Kent State might be enough to tempt him away from<br \/>\nColorado.\u00a0 It wasn&#8217;t.\u00a0 And I learned my first lesson, that<br \/>\nHunter, like Kent State itself, lived in the now, and was eager to<br \/>\nshove the bitter past behind, no matter how monumental it seemed nor<br \/>\nhow much notoriety it garnered.<\/p>\n<p>And I also learned how Hunter existed, what he had created for himself:<br \/>\nnot just a persona that argued with his real personality like many<br \/>\nwriters, musicians, and artists face, but also an aura that was<br \/>\ndifficult to either nurture or kill.\u00a0 He was, at heart, a deeply<br \/>\nself-conscious man.\u00a0 You can glean this from his first novel<br \/>\n(which he abandoned before going to Puerto Rico), or in any video<br \/>\ninterview.\u00a0 Included on the Criterion Collection&#8217;s edition of <em>Fear and Loathing in Las Vegas<\/em><br \/>\nis a great documentary made by the BBC in the late 70s\/early 80s, and<br \/>\nthe man you see there is so radically different from the one Johnny<br \/>\nDepp plays, that the first time you see it you feel gypped, but then,<br \/>\nlater, and with more understanding, you realize that it&#8217;s easy to<br \/>\nreconcile the two.\u00a0 There are clips of the speech he gave after<br \/>\nlosing the election for sheriff in Aspen, and you can tell that, even<br \/>\nthough in his campaign he was essentially throwing the new Fringe in<br \/>\nthe faces of a stodgy society and daring the people to face him that he<br \/>\nstill expected to win.\u00a0 And the loss, as you can see on his face,<br \/>\ndeeply upset him.\u00a0 You can see a man who is afraid to face a crowd<br \/>\nof people outside the Chinese Theater in Los Angeles.\u00a0 You can see<br \/>\nthe reality of the morning after a long, crazy night when the cameras<br \/>\nenter his messy hotel room, a visual that struck me as extremely apt<br \/>\nand heartbreaking, a metaphor, yes, for his life in the public eye:<br \/>\nthere is the carnage, the remnants of joy and violence, but in the<br \/>\ncenter of it all sits a man in his underwear who is not entirely proud<br \/>\nof himself.<\/p>\n<p>I believe that this was a man who had probably accomplished everything<br \/>\nhe wanted to a long time ago.\u00a0 And in between that point and now,<br \/>\nthere was only the wait and the brief glimpses of what true wisdom<br \/>\ncould be gained if anyone really bothered to go and find out, but I<br \/>\nthink the fact that he was tied so unexpectedly to Nixon, to the Acid<br \/>\nCraze, to Violence, that, after the wipeout and rearrangement of the<br \/>\npast few decades, no one really thought to consult him about new evils,<br \/>\nor new terrors&#8230;no one felt that he could shock anymore.\u00a0 But that<br \/>\nis not what people like me look for: mere shock and style.\u00a0 <em>Hell&#8217;s Angels<\/em> and <em>Fear and Loathing on the Campaign Trail &#8217;72<\/em><br \/>\nare two of the best history books ever written, and Hunter&#8217;s style<br \/>\nnever hindered the truth of his research, only that masses&#8217;<br \/>\naccessibility to his hard-won evidence.\u00a0 But this is what we do<br \/>\nwith our idols&#8230;we cast them in marble or copper and erect them,<br \/>\nanchored to one spot in history, and the only time we climb up inside<br \/>\nthe pedestal is when we feel like seeing the same familiar view from<br \/>\ninside out.<\/p>\n<p>Hunter knew this, and this may have been just one more factor in a<br \/>\nlong-standing mood of dissatisfaction.\u00a0 In the end, I think he may<br \/>\nhave always wanted to go out tragically like F. Scott Fitzgerald, but<br \/>\nrather had to settle for the disconcerting method of Hemingway.<br \/>\nAnd those of us in the settling cloud, those of us with the<br \/>\nreverberation of a gun blast taunting our ears, can only look on in<br \/>\nFear at the body then let the first wave of tears start to swell<br \/>\nagainst an invisible, unknowable wall.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,352],"tags":[68,353,140],"class_list":["post-2480","post","type-post","status-publish","format-standard","hentry","category-cass","category-gsarchive","tag-cassander","tag-gs-archive-2004-2008","tag-hst"],"_links":{"self":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2480"}],"version-history":[{"count":2,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2480\/revisions"}],"predecessor-version":[{"id":2822,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2480\/revisions\/2822"}],"wp:attachment":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}