{"id":2456,"date":"2003-06-11T00:00:00","date_gmt":"2003-06-11T05:00:00","guid":{"rendered":"http:\/\/www.greatsociety.org\/?p=2456"},"modified":"2018-10-31T21:25:09","modified_gmt":"2018-11-01T01:25:09","slug":"butterflies-lemonade","status":"publish","type":"post","link":"https:\/\/greatsociety.org\/?p=2456","title":{"rendered":"Butterflies &#038; Lemonade"},"content":{"rendered":"<p><!--more--><\/p>\n<p>In the summer, Natasha gets lazy. She&#8217;s a lazy girl naturally, but only<br \/>\nbecause she&#8217;s been gifted with a wealthy family (which I&#8217;m not supposed<br \/>\nto mention) and a high metabolism (which I can mention, because it<br \/>\nmeans she&#8217;s reached an unmentionable age and still maintains a &#8220;girlish<br \/>\nbody&#8221;). On especially comfortable days, when DC approaches 90 degrees<br \/>\nand things look rough, you can find Natasha in my backyard, beneath<br \/>\ntrees planted by suburban developers 60 years ago, on one of my good<br \/>\nblankets, loaded to the gills with vodka and muscle relaxants.<\/p>\n<p>Natasha makes me think of dreams. She&#8217;s the type of girl who<br \/>\nhaunted me on lonely nights, and filled my head whenever past<br \/>\ngirlfriends were away. She&#8217;s loyal as a dog, vicious as a wildcat and<br \/>\ndangerous as a burlap sack full of oversized hornets that have just<br \/>\nbeen tossed down 32 stairs to land in your bedroom at 4am in the<br \/>\nmorning.<\/p>\n<p>She&#8217;s a pretty little thing full of indignation, love, and a feverish<br \/>\nneed to break loose of self-sustained boundaries. The eternal struggles<br \/>\nplaying out in tiny features and small, hard fists.<\/p>\n<p>I met Natasha some time ago. I think, in many ways, she&#8217;s always been<br \/>\nwith me. In high school, she was the gust of wind, the &#8220;spirit,&#8221; that<br \/>\ncaught up with me whenever I stopped running. But it was in my adult<br \/>\nyears that I met her, the real her, in a physical sense. A constant<br \/>\ncompanion, the woman whispering in my ear, the scent of perfume on the<br \/>\nnighttime air, the warm creature next to me in a bed.<\/p>\n<p>There&#8217;s nothing quite like a woman up close. The curves and the flesh,<br \/>\nthe light covering of hair, every ugly flaw a mystery of beauty. Women<br \/>\nrepresent everything that is powerful and weak in humanity. They are<br \/>\nthe confused, boiling creatures of emotion. Dangerous, unpredictable,<br \/>\nchildish, insane, rock and rolling tits, hips, lips and pussy.<\/p>\n<p>They say putting a woman in charge of government will change things,<br \/>\nbut the last ordeal we need is to live through a government of<br \/>\nemotions. Cat calls and inexplicable judgments, angry first impressions<br \/>\nand over protectiveness, mothering in the Oval Office and wildcat<br \/>\nbattles on the Senate floor.<\/p>\n<p>With men in charge, you know where the axe came from. Mindless,<br \/>\nbludgeoning. War, hatred, prejudice, camaraderie, cliques, sects,<br \/>\nclubs, secrets, blustering madness. Women, like cats, move silently and<br \/>\npounce. Sometimes you don&#8217;t notice them and, when you do, it&#8217;s because<br \/>\nthey want to be noticed and they won&#8217;t stop crying at the moon till you<br \/>\ncoddle them. Men are the same, but there was never a moment you failed<br \/>\nto notice them. They are crying and mewling from the moment you burst<br \/>\nthrough the doors.<\/p>\n<p>I never trusted women. With me, it&#8217;s been a story of betrayal and pain<br \/>\nfrom day one. I&#8217;ve been two-timed, cheated on, stalked, cut, and stolen<br \/>\nfrom once too many times to have an open heart. But Natasha doesn&#8217;t<br \/>\nmind. She never seemed to care. Her agenda doesn&#8217;t involve me in any<br \/>\nintimate way. She lives for herself and my presence, whether it be for<br \/>\ncomfort or because our stars just happened to be a few light years<br \/>\ncloser than others, I&#8217;ll never know. She could leave any day or never<br \/>\nleave. Of this, there was no sense of prediction, so we took what we<br \/>\nhad. She, the voice of my writing. Me, mild amusement for long summer<br \/>\nafternoons.<\/p>\n<p>I sat down beside her on my good blanket and looked at her pale, nude<br \/>\nbody. She was sunbathing in shadows, though she would still burn<br \/>\neasily. She wasn&#8217;t in the yard for the sun, anyway, she was here to<br \/>\nshake off the cloak of greys and blacks from the long and strange<br \/>\nwinter of 2004. The troubled January, the dark February, the deceptive<br \/>\nMarch and early April. She was here to, finally, soak up warmth and<br \/>\ngreen and blue and brown whilst the locust infestation drifted lazily<br \/>\naround her.<\/p>\n<p>Wherever I was in the world, Natasha was always with me in spirit, and<br \/>\nwe always came to visit this back yard. It was a place of invocations.<br \/>\nThe beginning and end of each story, the ebb and the flow of every<br \/>\nconversation. This place where I danced and sang as a child with my<br \/>\nmother, even then a woman of shadows and darkness. The place where my<br \/>\ngrandfather set off fireworks and where I played with three generations<br \/>\nof Best in Show Newfoundland dogs.<\/p>\n<p>It was a back yard of life and death, realities and dreams. Every<br \/>\nchildhood home is like this. The trees and the house stays on, but dogs<br \/>\nand mothers die. Father&#8217;s leave. Men and women betray and sin and cry<br \/>\nand love. The yard full of bones.<\/p>\n<p>I press my hand to Natasha&#8217;s soft belly and I have to picture her eyes<br \/>\nfluttering open beneath the dark glasses. Perhaps they were open all<br \/>\nthe time. She turns to me and smiles, black lipstick, pale skin, coffee<br \/>\nand cigarette teeth. She doesn&#8217;t speak, but she still tells me to kiss<br \/>\nher in that seemingly bacterial method of communication that a man and<br \/>\na woman share between them when they know each other well. I kiss and,<br \/>\nthrough that portal, the current year comes boiling into my mind.<\/p>\n<p>A TV is on in the house, Wild West Mexican music playing in a<br \/>\nTechnicolor cantina. A calico cat rests on my lap. I look up into the<br \/>\nlight of a full moon, battling the flickering television, and the<br \/>\ncalico chirps at me, resettles herself and turns her head upside down.<br \/>\nI&#8217;m restless, I want to move and write, I want to run and fight. But,<br \/>\ninstead, I settle deeper into the chair, my attention caught somewhere<br \/>\nbetween moon and TV, and absently stroke the drooling calico&#8217;s chin.<br \/>\nShe seems to smile, eyes pressed closed, tail at rest. The Stoli is out<br \/>\nof reach, but I&#8217;m still drifting.<\/p>\n<p>Then I move forward to writing. Pounding through a hundred pages, three<br \/>\nhundred, a thousand. A trilogy, a single book, a monster to sell, hopes<br \/>\nrunning higher than the limit of Pickett&#8217;s doomed charge.<\/p>\n<p>A decade of work and success and failure. A decade of love and power. A<br \/>\ndecade of troubles and loss. Pain, death, despair, life, strength,<br \/>\nsuccess. The future, in a capsule, in a woman&#8217;s breath, in her taste,<br \/>\non her lips. I pull back and she places a hand on my face, careful to<br \/>\navoid the nerve damage on my right side. She can&#8217;t stand to see me<br \/>\nflinch anymore. She smiles. I have to kiss her again, a hand moving<br \/>\ndown her body, cupping her breast, spinning and rising to her nipple,<br \/>\ndown and drifting to her belly, the warmth between her thighs, slipping<br \/>\ninside her as the kiss becomes a gasp, the hand on my face now in my<br \/>\nhair, the other hand forcing my own deeper.<\/p>\n<p>And, now, there is no sense of time.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[352],"tags":[353,367],"class_list":["post-2456","post","type-post","status-publish","format-standard","hentry","category-gsarchive","tag-gs-archive-2004-2008","tag-natasha"],"_links":{"self":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2456"}],"version-history":[{"count":2,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2456\/revisions"}],"predecessor-version":[{"id":2879,"href":"https:\/\/greatsociety.org\/index.php?rest_route=\/wp\/v2\/posts\/2456\/revisions\/2879"}],"wp:attachment":[{"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsociety.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}